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1. #MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P MOVIE#
2. #MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P 1080P#
3. #MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P UPGRADE#
4. #MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P FULL#
5. #MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P PROFESSIONAL#

#MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P MOVIE#

However, if you would like to create 4K GoPro videos that have thousands of shares and millions of views you need to make sure that the footage you created is nearly perfect.Īll the minor imperfections like sporadic camera shakes can be easily fixed with Magix Movie Edit Pro.

#MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P PROFESSIONAL#

Unlike professional video cameras that can capture high-resolution videos, GoPro is small and light so you won't even feel like you have a camera with you.

Still swear by Premiere After Effects and Speedgrade CS6.Creating high-quality footage of your wildest adventures is no longer a dream since GoPro cameras enable you to shoot videos in 4K resolution. If you are using 4K for better resolution and quality, then you will probably have the content in low loss compression, which means lots of hard drive space.įinally, there is a threshold in hardware where you can playback, edit realtime and scrub great quality 4K smoothly.and that is not the task for any old laptop.Īdditionally, depending on what you are shooting (dynamic range/color/motion/complexity) the footage can either look bad or good with compression /bitrates that slower computers can handle. I've seen too many examples of material that looks different in 1080 than its original 4K. Proxies are good, but usually for cuts and splices of hours of footage.ĭetail, effects, and color work is best done in native resolution. Lots of memory (32gb with Win7pro) helps too.

#MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P UPGRADE#

I'd say the biggest hardware improvement I've seen in an upgrade was to using an external recorder directly to ssd with a processor friendly codec with exceedingly high quality and bitrate. Working with 4K video for over 2 years (final product 4K, not downscale clients): I don't really care nearly as much about final rendering times since I can be fairly certain from the preview that I'm going to get what I want after the final render. If I went to 4K video then that's what I'd be looking for in terms of computer hardware. So I'm careful to do those effects last after I'm pretty sure I won't make any other changes - that saves me from having to re-render those sections any more than I have to. It's only when I get into some of the more compute-intensive effects such as lens corrections where I have to do spot rendering in order to play the preview smoothly.

#MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P FULL#

That's exactly my point, and it's why a dual- (or tri-) monitor setup is so nice - you can tell Premiere Pro to display the previews full screen on your large monitor while you have your timeline and other editing panes on the other(s).įor HD video Premiere Pro can play the movie in real time from the timeline on my system for most of the effects I typically use (transitions, colour adjustment, sharpening, etc.). It is then frustrating if the rendering lasts hours. The editing preview is usually a small window and playback choppy with effects and transitions. In my experience there is always need to make render again and again because I can see the whole movie or edit only after rendering. And warp stabilizer analysis time is also a concern for me. What's more important is whether or not Premiere can play my timeline smoothly as I'm editing, include clips that use common effects such as simple transitions (lap dissolves, for example), colour adjustments, sharpening, scaling, etc. Rendering times aren't all that important to me because I can do something else while they proceed. Surprisingly working in Adobe Premiere is quite snappy and rendering time is fairly quick by my standards. With Premiere you don't have to wait, it just works. Best thing to do is drop your files in the project library the go grocery shopping.

traded it for Power Director which works faster after proxies are made. I have tried latest Magix and Sony Vegas pro 13 and the preview, editing and rendering is not smooth and fun. After Effects is kinda chunky to work in but Premiere is pretty darn smooth. Optics compensation in After Effects is pretty taxing as well. Warp stabilizer really chokes this system. It was usable both ways with basic editing such as transitions, color correction, sharpening, audio and etc.

#MAGIX MOVIE EDIT PRO PREMIUM DOWNSCALING 4K TO 1080P 1080P#

Is it possible to get quite smooth preview playback or smooth editing experience when using 4k video in 1080P timeline or 4k timeline with reduced resolution (fullhd)? I think that reasonable render times for UHD to fullhd is about 1:1 or real time and UHD to UHD 2:1 or half speed with plain cuts and no effects. UHD Graded and transitions added- ~2.5 minutes to render 30 seconds UHD downsampled to 1920x800- ~1.3 minutes to render 30 seconds